a while since I looked so much anticipation a construction site.
I have seldom heard so much to everyone on a show and I managed to create so curious about it.
The lead actor and the film is based n the q this work were the 2 main attractions, but the result, it found, was a thousand times better as q d imagined. The theater decorated
d up cn in black and white photos n d the work. You walk into the room, and cm if you had arrived unannounced, uninvited, on stage are already in use, the characters are already living a life without hope you get aq! Since then understand
q is not a normal work and gradually absorbed by it you see. Play with you, I grieve, handle your feelings cm if you were a character and dares to speak directly to the face.
has muxo d metatheatre off with that voice n q speaks directly with the public, q is in part context and decorated.
Dangerous Liaisons is a powerful argument, which will see the work, it knows q will not find something simple, but here the feelings are elevated to maximum power out of control and expressed with every possible weapon.
The scenery, the wall moves q, drowning and supports q as required. The expression of the fruit, games d lights and choreographed movements of the Baroque make a complete work, closed, fabulous in every detail where each piece has been touched by great artists.
I saw her twice, and the second m allowed to appreciate details, q the first time I had not discovered stunned by the flash of novelty and d and impertinence q aggressiveness expressed work. M allowed the film to recognize phrases, see the choreography dl dancer and better establish those symbols allowed greater ownership SM with each scene.
certainly see her again. Without doubt, invite everyone to see, but with courage, with an open mind to absorb what this great work offers.
I have seldom heard so much to everyone on a show and I managed to create so curious about it.
The lead actor and the film is based n the q this work were the 2 main attractions, but the result, it found, was a thousand times better as q d imagined. The theater decorated
d up cn in black and white photos n d the work. You walk into the room, and cm if you had arrived unannounced, uninvited, on stage are already in use, the characters are already living a life without hope you get aq! Since then understand
q is not a normal work and gradually absorbed by it you see. Play with you, I grieve, handle your feelings cm if you were a character and dares to speak directly to the face.
has muxo d metatheatre off with that voice n q speaks directly with the public, q is in part context and decorated.
Dangerous Liaisons is a powerful argument, which will see the work, it knows q will not find something simple, but here the feelings are elevated to maximum power out of control and expressed with every possible weapon.
The scenery, the wall moves q, drowning and supports q as required. The expression of the fruit, games d lights and choreographed movements of the Baroque make a complete work, closed, fabulous in every detail where each piece has been touched by great artists.
I saw her twice, and the second m allowed to appreciate details, q the first time I had not discovered stunned by the flash of novelty and d and impertinence q aggressiveness expressed work. M allowed the film to recognize phrases, see the choreography dl dancer and better establish those symbols allowed greater ownership SM with each scene.
certainly see her again. Without doubt, invite everyone to see, but with courage, with an open mind to absorb what this great work offers.
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